The Freedom of Painting Beyond the Studio: Why Portability Matters
For artists who thrive on capturing fleeting moments of beautywhether it's the dappled light on a forest trail or the vibrant chaos of a bustling streethaving a reliable, compact watercolour kit isn't just a luxury; it's a game-changer. The appeal of plein air painting lies in its spontaneity, its connection with the elements, and the raw, unfiltered way it allows creativity to flow. However, this freedom comes with its own set of challenges: limited space, unpredictable weather, and the constant need to be mobile. That’s where portable painting gear steps in, redefining what it means to be an artist on the move.
Imagine strolling through a charming old village or hiking up a scenic ridge when inspiration strikes. With a smartly designed sketching kit no larger than your coat pocket, you can simply pause, uncap your brush, flip open your paintbox, and begin painting all within minutes. This immediacy not only nurtures your creative impulses but also aligns perfectly with the spirit of watercolour itself: fluid, responsive, and ever-evolving.
The cornerstone of any travel-friendly painting setup is a quality watercolour brush that combines professional performance with the practicality of travel. These brushes are designed to collapse neatly into themselves or feature protective caps that double as handles. Compact yet full-sized when assembled, they provide the same level of control and finesse as their studio counterparts. The transition from a travel-sized tool to a full-length brush is seamless, allowing artists to focus on their craft without compromise.
What makes travel watercolour painting particularly enticing is its simplicity. A few key toolslightweight, multifunctional, and intuitivecan support a practice that is as mobile as it is expressive. Artists no longer need to carry bulky easels or dozens of tools. Instead, a slim brush, a small palette, and a block of durable paper become the only companions needed for a day of creative exploration. This minimalist approach reduces decision fatigue and creates more room for imagination, spontaneity, and presence.
The Evolution of the Travel Brush: Design, Versatility, and Artistic Impact
Among all the components in a portable art kit, the travel brush stands out as both a marvel of design and a symbol of adaptability. These brushes aren’t merely scaled-down versions of studio tools; they are purpose-built for the challenges and joys of plein air painting. Most feature a two-part structure where the cap becomes the handle, or a retractable mechanism that allows the bristles to slide safely into the barrel. This clever engineering protects the fine tip during transport, ensuring the brush remains in top condition even after many outdoor sessions.
Brushmakers have refined these designs over the years to cater to the nuanced needs of professional and hobbyist artists alike. High-quality synthetic fibres, such as Toray white, have become a preferred choice in many premium travel brushes. These fibres mimic the behavior of natural hair with remarkable fidelity. They spring back into shape with precision, hold water generously, and offer a controlled release of pigment that’s ideal for both detailed line work and generous washes. Through advanced curing techniques, the fibres are treated for elasticity and resilience, ensuring longevity and consistent performance in a variety of environmental conditions.
One of the most liberating aspects of working with a well-crafted travel brush is its versatility. Many artists find that one good brush, typically in sizes ranging from 6 to 10, can handle an impressive array of techniques. From crisp edges and tiny details to fluid gradients and sweeping backgrounds, a single brush with a fine tip and a full belly is often all it takes. This minimalistic approach simplifies packing and decision-making, encouraging a focus on expression rather than equipment.
Some innovations have taken the travel brush concept even further by incorporating a water reservoir within the handle. These so-called water brushes eliminate the need for an external water container, a significant advantage when painting in remote locations or while commuting. A gentle squeeze releases water into the bristles, providing a steady flow that suits quick sketches, washes, and even blending. While they might not replace traditional brushes for all artists, they certainly offer unmatched convenience and ease in less-than-ideal conditions.
The tactile experience of using a travel brush is part of its charm. The feel of the brush in hand, the balance between handle and bristle, and the responsiveness of the tip all contribute to a seamless creative flow. Many brushes are crafted with ergonomic considerations, ensuring they remain comfortable over extended sessions. The result is a tool that doesn't just travel wellit performs beautifully under pressure, turning any setting into a studio.
Building the Ultimate Portable Watercolour Kit: Paper, Paint, and Practice
No travel painting kit is complete without a thoughtfully chosen surface and a reliable supply of vibrant pigment. Watercolour blocks and pads specifically designed for outdoor use are essential companions to the travel brush. These blocks are gummed on all four sides, which prevents the paper from buckling during wet washesa crucial feature when working outdoors without access to clipboards or stretching boards. Their construction also makes them easier to manage in breezy conditions or uneven terrain.
The paper itself plays a vital role in the painting experience. High-quality cotton or cellulose paper offers the right balance of texture, absorbency, and durability. Cold-pressed varieties provide enough tooth to catch pigment in lively, expressive ways, while still accommodating fine detail when needed. The best plein air paper enables confident strokes and spontaneous washes, capturing the energy of the moment with fidelity.
When it comes to colour, portable watercolour boxes filled with half-pans or full-pans of artist-grade paint are the go-to choice. These compact palettes offer an impressive range of hues in a footprint small enough to fit in the palm of your hand. Some artists prefer to customize their palettes to include just their favourite colours, often selecting a warm and cool version of each primary, along with a few convenience colours. This curated approach supports a balanced, intuitive mixing experience in the field.
A delightful addition to the plein air toolkit is the watercolour postcard. These small, pre-cut sheets of postcard-weight paper are ideal for quick studies or sending painted messages to loved ones. Their modest size encourages experimentation without the pressure of committing to a large composition. Whether painted on a mountain trail, a park bench, or a café table, these mini-masterpieces capture the spirit of the moment in a uniquely personal way.
Ultimately, the essence of plein air watercolour lies in its accessibility and intimacy. With the right toolscompact, reliable, and beautifully madeartists are empowered to engage with their surroundings on a deeper level. The travel brush, in particular, becomes more than a tool; it is a partner in the creative journey, always ready to respond to inspiration wherever it may strike.
Whether you're sketching the light on cobblestone streets or recording the mood of a stormy coastline, a portable painting kit transforms the world into your studio. The act of painting outdoors becomes not only a creative practice but a form of meditation, connection, and discovery. And at the heart of that practice is a well-crafted travel brusha quiet enabler of artistic freedom, ready to bring visions to life one brushstroke at a time.
Embracing the Art of Plein Air Watercolour: A Dance Between Nature and Brush
There’s something undeniably magical about stepping outside with a brush in hand, ready to engage directly with the ever-changing light and landscape. For plein air watercolourists, the outdoors isn't merely a backdrop, is a living, breathing collaborator. The environment, with all its spontaneity and challenges, becomes an active participant in the creative process. Whether it's the hush of a forest clearing or the lively rhythm of an urban square, each setting shapes the work being created.
Watercolour is uniquely suited to this dynamic interaction. Its fast-drying nature allows artists to respond immediately to shifting light and movement, capturing not just a scene, but the sensation of a moment in time. The transparency of the medium evokes a luminous quality, which makes it ideal for capturing the ethereal atmosphere of early morning mists, golden-hour glows, or even the reflective shine after a rain shower.
But while the medium itself is fluid and responsive, the tools must be reliable, adaptable, and ready to perform under unpredictable circumstances. The travel brush has become a vital instrument in this endeavornot simply for its portability, but for its precision and versatility. These brushes, whether equipped with a retractable cap or an internal mechanism, are engineered to protect the bristles while maintaining a professional standard of performance.
When in the field, every component of the painter’s kit must work in harmony. A brush that mimics the feel and control of a studio brush, yet slips easily into a pocket or sketch roll, becomes more than just a convenienceit becomes essential. It is the tactile bridge between perception and expression, allowing the artist to interpret the world in real time without logistical interference. This seamless integration of tool and intention transforms a simple painting session into a form of meditation, a practice in awareness and presence.
Mastering Technique and Tools in the Field
For seasoned outdoor painters, the connection to place often runs deeper than what meets the eye. There's a kinesthetic relationship that develops a way of reading the land through line and pigment. The breeze against the skin, the dappled shade moving across a hillside, the hum of traffic or rustle of leavesall these sensations inform the brushstrokes. The travel brush, in this context, must be as sensitive as the artist’s fingertips, offering responsiveness without sacrificing strength.
An essential technique for those painting on location is the use of a limited palette. Choosing just a handful of carefully selected pigments streamlines the painting process and encourages color harmony across the composition. With fewer options, artists are challenged to deepen their understanding of mixing and value relationships, often leading to more unified and evocative results. This minimalist approach also lightens the load, which is crucial for those who prefer to wander far from paved roads and designated paths.
When accompanied by a high-quality travel brushsuch as a well-balanced size 8 with a pointed tip and ample bellythe results can be remarkably expressive. This single brush can deliver everything from broad atmospheric washes to precise architectural lines. It must hold pigment generously, release it smoothly, and snap back to a point with consistency, even in varying climates. Whether you're working in humid coastal air or dry mountain heat, the brush should maintain its form and functionality.
As artists adapt to their surroundings, so too do their painting styles. On a windy beach or bustling street, the work may become more gestural, more immediate. Speed becomes not a shortcut, but a deliberate choicean echo of the environment’s tempo. In these moments, spontaneity is refined through practice. The brush becomes an extension of thought, translating rapid impressions into visual poetry. Gesture, timing, and intuition all converge at the tip of the brush.
Weather also plays an unpredictable role in plein air sessions. Rain may cut a session short, or unexpected sunshine may cause shadows to shift rapidly. A travel brush that can be quickly cleaned, capped, and stowed ensures that these interruptions don’t derail the creative process. Its design allows for a fast retreat and an equally swift return to action. And when a moment of calm returnswhen clouds part or the crowd, the brush is ready to resume the dialogue between artist and world.
The Poetic Utility of a Thoughtful Travel Kit
There’s a quiet liberation in crafting a painting kit that is both minimal and intentional. For newcomers to plein air watercolour, simplicity can be an ally. A modest block of cold-pressed paper, appreciated for its gentle texture and subtle tooth, offers a forgiving surface ideal for capturing the nuances of natural light. Paired with a compact palette containing only the most essential hues and a durable synthetic travel brush, the toolkit becomes not just portable, but empowering.
Even experienced artists find comfort in this stripped-down approach. Many seasoned painters believe that limited tools foster more creative problem-solving. With fewer distractions and decisions to make, the focus shifts to observation, composition, and expression. The brush, with its finely engineered tip and controlled water release, serves as the constant companion in this practiceits form shaped by necessity, its function honed by experience.
Layering transparent washesanother favored technique among plein air artistsdemands that a brush deliver pigment with precision. A strong belly allows for smooth glazes without harsh edges, while a fine point adds depth and intricacy to the details. As light filters through the built-up layers, the painting begins to glow from within, echoing the natural luminosity observed in real life. Here again, the brush’s capacity for both control and fluidity proves invaluable.
For those brave enough to paint nocturnes rendered in the subtle gradients of twilight and the brush becomes even more crucial. In such low-light conditions, the artist relies more on memory, intuition, and value contrast than color. A small, curated kit that includes a travel brush, a few moody pigments, and perhaps toned paper allows for surprising depth even when visibility is low. This kind of painting, often done in silence under the stars or near a flickering streetlamp, taps into a more introspective and emotional register.
Each painting expedition becomes a collection of stories captured in finished works, others preserved in the mind’s eye. The travel brush, used time and again across landscapes and seasons, carries traces of these moments. The wear on its handle, the faint tinting of its bristles, even the subtle shifts in how it moves all speak to a history of artistic encounters. It becomes more than a tool. It becomes a memory in motion.
The true beauty of the travel brush lies in its marriage of form and function. Compact, reliable, and beautifully designed, it serves not only the practical needs of the plein air artist but also the poetic aspirations of the craft. Its portability invites spontaneity; its precision supports excellence. From the vast quiet of alpine meadows to the kinetic energy of city intersections, it remains the faithful interpreter between eye, hand, and heart.
The Enduring Legacy of Travel Brushes in Plein Air Watercolour
In the evolving world of plein air watercolour, few tools are as essential or as evocative as the travel brush. For artists who take their practice into the great outdoors, these compact and thoughtfully designed brushes are more than just equipment; they are creative companions, shaped by centuries of artistic exploration, cultural innovation, and practical necessity.
The story of travel brushes is deeply intertwined with the rise of outdoor painting itself. In the nineteenth century, artists began to seek liberation from the confines of the studio, inspired by the Romantic movement’s embrace of nature as both muse and metaphor. These early plein air painters, moved by the majesty of untamed landscapes and the fleeting quality of light, ventured into the wilderness with portable kits that allowed them to capture impressions on the spot.
Among their most prized possessions were the early travel brushesingenious in their simplicity, often made by hand. Some featured collapsible handles or detachable sections, allowing them to be neatly packed without compromising the delicate tips. Others came in protective cases of brass or turned wood, shielding the brush from damage while exuding a refined sense of craftsmanship. These tools weren't just practicalthey were designed to reflect the artistic spirit of their time.
As artists set out on expeditions across continents, documenting everything from exotic flora to distant architectural marvels, travel brushes became indispensable. The materials used in these brushestypically natural hairs like sable, squirrel, or goatwere chosen for their superior water-holding capacity, responsiveness, and precision. Such brushes allowed painters to respond quickly to the shifting light of a Mediterranean plaza or the moody hues of a stormy mountain pass. Their portability transformed the way artists engaged with their surroundings, promoting a more intimate and immediate connection with the subject at hand.
The golden age of exploration saw travel brushes solidify their place in the artist’s toolkit. Not only did they facilitate field studies in diverse terrains, but they also became symbols of artistic dedication, representing a willingness to chase inspiration wherever it might lead. Whether sketching in a bustling North African market or rendering a windswept English moor, the plein air artist trusted their travel brush to translate vision into form with fluid precision.
Evolution Through Craftsmanship, Conflict, and Culture
The early twentieth century brought significant changes to both the world and the tools artists used. With the advent of industrialization, new manufacturing processes enabled the creation of more advanced travel brushes. Artisans began incorporating innovative mechanisms such as retractable sleeves and threaded caps, which made brushes not only easier to transport but also more durable. Lightweight metals like aluminium started to replace heavier components, while celluloid offered a stylish and resilient alternative to traditional materials.
During the world wars, the need for reliable, space-saving tools became even more acute. War artists, illustrators, and documentarians needed equipment that could withstand the harsh environments of military campaigns. Travel brushes evolved accordingly, blending form with functionality to meet the unique challenges of painting in conflict zones. The durability and convenience of these wartime brushes influenced post-war designs, making them appealing to a broader audience of artists seeking freedom and flexibility.
The mid-century also marked the rise of synthetic fibres in brush production. At first, these artificial hairs were met with scepticism by traditionalists, who prized the responsiveness and tactile nuance of natural hair. However, technological advancements in fibre production led to dramatic improvements in synthetic performance. Modern synthetic brushes offered excellent spring, strong shape retention, and greater resilience under environmental stressors such as heat and humidity. For many artists, they presented a compelling alternativeethical, long-lasting, and increasingly refined in their application.
One of the pivotal advantages of synthetic brushes was their alignment with the growing environmental consciousness of the art world. As sustainability became a priority for many creatives, cruelty-free and eco-friendly materials gained traction. High-quality synthetics offered a way to honor artistic integrity while respecting the planet and animal welfare. This shift also led manufacturers to experiment with hybrids, combining natural and synthetic elements to produce brushes that blended the best of both worlds.
Beyond material changes, cultural influences from around the world continued to shape the evolution of the travel brush. In East Asia, portable ink brushes had long been used for calligraphy and landscape painting. These traditional toolsoften featuring self-contained water reservoirsplayed a key role in inspiring the development of the modern water brush. Compact, efficient, and capable of carrying both water and pigment, water brushes became popular among contemporary artists working on location, especially in remote or water-scarce environments. Their versatility made them ideal for sketch journaling, urban sketching, and on-the-go creativity.
As global exchange flourished, brushmakers from various traditions began learning from each other. Japanese and Chinese brush design influenced Western brushmakers, leading to hybrids that borrowed the softness and control of Eastern tools while retaining the practicality of Western engineering. This confluence of cultural craftsmanship enriched the travel brush’s lineage, expanding its range and functionality.
The Modern Travel Brush: Merging Tradition with Innovation
Today’s travel brushes stand at the crossroads of heritage and innovation. The essence of the tool compact, reliable instrument for expressive, portable paintingremains unchanged. However, modern brushes have reached new heights of performance and aesthetic refinement. From ventilated caps that prevent mould growth to ergonomic handles and secure threading systems, every detail is designed with the mobile artist in mind.
Brushmakers now emphasize not only utility but also tactile pleasure. A polished wooden handle, the satisfying twist of a cap, and he feel of balanced weight in the handle contribute to an artist’s emotional connection with their brush. This attention to form as well as function echoes the reverence many artists feel toward their tools. A travel brush, after years of faithful use, develops a character all its own. Pigment stains on the ferrule, a worn grip, a faintly discoloured these marks are not flaws, but records of creative journeys undertaken.
For collectors and seasoned plein air painters, such brushes are often regarded with the same affection a musician holds for a beloved instrument. They become part of the artist’s process and identity, a trusted partner in exploration and self-expression. Some brushes are even passed down between generations, becoming treasured heirlooms rich with stories and sentiment.
This physical and emotional intimacy with the tool nurtures what many artists describe as muscle memory. Like a cellist instinctively reaching for a note, the painter knows exactly how the brush will move, how it will hold water, how it will respond to a flick of the wrist. This relationship deepens over time, allowing for spontaneous, confident gestures that are essential to the vitality of plein air painting.
In our current era of boundless travel and digital sharing, the role of the travel brush remains as relevant as ever. Artists today sketch scenes from alpine trails, city rooftops, tropical coastlines, and desert oases, often sharing their work instantly with global audiences. Yet despite these technological advancements, the core experience of plein air paintingbeing present with nature, capturing fleeting light and colour, expressing a personal response to the worldstill hinges on the tactile, immediate act of brush to paper.
The travel brush, in all its evolved forms, stands as a tribute to centuries of creative courage and ingenuity. It is a reminder that even in an age of speed and automation, the slow, deliberate act of painting remains deeply human. Artists continue to seek tools that not only serve their technical needs but also resonate with their spirit. The modern travel brush meets this demand with grace and grit, offering a link to the past and a gateway to fresh discoveries.
Whether you're perched on a rocky outcrop at sunrise or nestled in a bustling street café, the travel brush is always close at handready to respond to inspiration as it strikes. It is, truly, the ultimate companion for the plein air watercolourist, a symbol of mobility, memory, and mastery.
Curating the Perfect Plein Air Watercolour Kit: A Creative Manifesto
For artists who find joy and inspiration beyond the studio, crafting a travel-friendly watercolour kit is more than a matter of convenienceit becomes a ritual of intention. Each item in the plein air kit is chosen not only for its practicality but for the connection it fosters between artist and environment. The essence of plein air painting is in the harmony of readiness and receptiveness. With the right tools in hand, the world becomes an open-air studio, waiting to be explored, interpreted, and remembered.
The foundation of any great plein air kit begins with knowing oneself as a painter. The kinds of scenes that capture your attentionwhether bustling urban architecture, serene coastlines, or sun-drenched rural fieldswill inform the tools you choose. For artists who thrive on spontaneity and movement, lightweight, compact kits offer ease without compromise. Those journeying into the wilderness or spending long hours in nature may gravitate toward more durable setups that support sustained work and environmental resilience.
A cornerstone of this mobile toolkit is the travel brush. Its design, both purposeful and elegant, encapsulates the spirit of plein air painting. The ideal brush should feel like an extension of your comfortable, balanced, and versatile. Some artists prefer a fuller belly in the brush to hold more water and pigment, allowing for fluid, expressive strokes. Others opt for fine points with tight precision, enabling controlled detailing even under changing light or shifting wind. Choosing one or two high-quality brushes, often in medium sizes like a 6 or 10, ensures functionality while keeping weight and bulk to a minimum.
Paired with the brush is the paintboxa compact yet powerful tool for color expression. Many artists personalize their palettes, stripping them down to a select range of half-pans that reflect their creative voice. Earthy neutrals, vibrant blues, or unexpected accent hues tell a story as unique as the individual mixing them. The goal is not to carry every possible color, but to refine your choices to what resonates with your vision. A palette crafted from experience becomes a map of memory, guiding each stroke with familiarity and purpose.
Surface selection is equally essential. Watercolour paper blocks or padsespecially those with cold-pressed or rough texturesprovide both durability and character. Small formats such as postcard-sized blocks are beloved by many for their ability to capture fleeting impressions. These modest artworks, painted on location, often hold more emotional depth than studio pieces. They become personal mementos of a moment lived and recorded, each brushstroke tethered to a time, a place, a feeling.
To round out the essentials, consider tools that streamline your process. A collapsible water container, a water brush with a built-in reservoir, a soft cloth or sponge, and a pencil for sketching can complete a highly efficient kit. Everything should fit into a compact, easily transportable pouch or case. The aim is to make the act of painting seamlessfree from the friction of forgotten tools or cumbersome gear. When your kit supports you intuitively, your creativity flows with fewer interruptions.
Embracing the Spirit of Place: A Philosophy in Motion
Plein air painting is as much a mindset as it is a method. It invites artists to relinquish control and embrace the unpredictable rhythms of the outdoors. The very act of painting under the open sky introduces variablessunlight, wind, moisture, movementthat cannot be replicated within studio walls. These elements do not hinder the process; they enrich it, weaving the environment into the fabric of the work.
To paint en plein air is to engage in a conversation with the world. The artist listens as much as they express. Each brushstroke becomes a response to something: the play of shadows on a wall, the rustle of trees in a breeze, the hush of morning fog lifting from the horizon. This dance between observation and interpretation imbues the artwork with authenticity and vitality.
The travel brush becomes a symbol of this dialogue. Small enough to carry unnoticed yet powerful enough to capture the subtleties of a scene, it embodies the freedom and precision that plein air painters seek. There is a quiet elegance in dipping a brush into color amidst the chatter of a street café or the stillness of a mountaintop. In these moments, painting transforms into a meditation centering practice in a world that often rushes past unnoticed beauty.
The physicality of plein air worksetting up in rocky terrain, chasing shifting light, battling the elementsdraws the artist into a tactile relationship with place. The body, like the brush, becomes attuned to nature’s rhythms. There’s a humbling clarity in realizing that no two moments are identical, that the wind will never blow quite the same way again, and that the fleeting quality of light is not a challenge to overcome but a fleeting gift to interpret. In this way, plein air painting teaches receptivity over dominance, patience over perfection.
Artists who embrace plein air work often speak of its transformative power. One recalls a summer thunderstorm that swept across their sketch, blending colors into a moody wash that far surpassed the original intent. Another describes the serenity of painting rooftops at dawn, where subtle gradients of light became more than backgroundthey became the subject. These stories are not rare; they are echoes of a universal truth in plein air practice. What emerges on the page is not just a scene, but an experience rendered in pigment and paper.
Plein air painting fosters presence. It slows time and cultivates attention. Every decision, from angle to color to brushstroke, becomes intentional. This focus not only deepens artistic skill but also nurtures a more grounded way of seeing. With each outdoor session, the artist builds a deeper relationship with their environmentnot as a passive observer, but as an active participant.
In a time increasingly dominated by digital replication and rapid consumption, plein air painting becomes a quiet act of resistance. It insists on being present. It values nuance over spectacle. And it reminds us, again and again, that beauty is not found in perfection, but in presence, process, and place.
The Art of Travel and the Tools That Empower It
In a world defined by speed and digital distraction, the act of assembling a physical painting kit and stepping outside becomes almost radical. It is a gentle resistance to the ephemeral in favor of the tangible. The travel brush, portable palette, and sketch pad are more than art suppliesthey are instruments of engagement. They remind us that art is not confined to studios or galleries. It lives wherever the artist chooses to look and respond.
Whether you are navigating cobbled streets in an old European city, wandering through quiet coastal paths, or simply perched on a park bench in your hometown, the essentials of a plein air kit enable you to capture life as it happens. Each tool carries a story, and each session in the field adds to your visual journal. Over time, these moments accumulate, becoming finished paintings, others remaining raw and spontaneous studies that reflect your evolving eye.
There is power in limitation. A modest kit invites creativity through constraint. You learn to work with what you have, to make deliberate choices, and to embrace imperfection. This adaptability builds confidence, not just as a painter, but as a creative thinker. It frees you to focus on composition, emotion, and atmosphere rather than technique alone. In doing so, it helps you discover your unique artistic voice.
The travel brush, small but resilient, is the compass guiding this journey. It represents a commitment to exploration, not only of landscapes but of personal expression. With it, every destination becomes an opportunity, every quiet hour a potential masterpiece. And perhaps most importantly, it serves as a reminder that the act of painting is not about perfectionit’s about presence.
So whether you’re embarking on a cross-country road trip, discovering hidden corners of your city, or sketching light and shadow from the quiet corner of a café, know that your tools are ready to follow. You don’t need a studio to create something meaningful. You just need the willingness to observe, the courage to begin, and a brush that’s ready to tell the story.
The journey of the plein air artist is open-ended, full of discovery and reflection. And with your brush in hand, the world is yours to paintmoment by moment, scene by scene, story by story.
